Monday, 9 May 2016

OUIL505: Summative Evaluation

Jessica Dawson
BA (Hons) Illustration – Level 5
OUIL505 Applied Illustration
255593


OUIL505 Summative Evaluation

This module has been a complete enjoyment from start to finish as well as a huge learning curve for myself, my practice and my approach to personal set briefs. Choosing my own area of focus has meant that I have been able to research, investigate and “become an expert” in an area which has always interested me – environmental conservation – in particular our oceans wildlife.

My research skills have developed massively throughout the duration of this project and I found it really beneficial to not limit myself in this at the start of the module – but instead branch out and explore various ways of gathering key information to inform my work. As my project focused primarily on the environment and destruction of our oceans coral reefs, fact collecting was vital and I found that keeping up to date with current data, news articles, journals and documentaries helped me stay in the know and also increase my knowledge in an area I had not known in much depth previously. As well as online research, I have been able to utilise the colleges library facility and gather books not only just on environmental conservation, but in other areas of interest I wished to focus on such as patterns, nature as a whole, various new media techniques and practitioners in related fields within the industry. Researching online in this way has not only provided me with the breadth of information to help form my initial concept for this project, but has also widened my knowledge of online presence and the importance of this application within industry and my own personal practice.

As well as secondary research, I have really made the most of exhibitions available to me throughout the course of the module. “Object & Environment” as my chosen context links directly to the physical, therefore the experience of exhibits (such as KAWS)– has helped me to gain a wider understanding of how my creative work and illustration can be applied successfully by way of physical objects, the importance of placement and setting, audience and the variety of extended product ranges linked with a body of work.

On the topic of new skills, 505 has shown me the importance of exploring new creative techniques and approaches to image making that I hadn’t attempted before. A key skill I have learnt is airbrushing, something I have been a bit terrified in the past to give a go due to its complexity, however felt free enough within this brief to experiment, producing some successful pieces that I was able to apply within my final resolutions for the module. As well as airbrush I gave 3D modelling a go and found that, like most other 3D image making techniques, I love working with clay. This medium provided me with a great base to explore the natural coral based organisms I was studying – moving away from the 2D and applying what I had learnt so far about patterns and textures within nature.


The area of my submission which I feel is most successful is my 3D sticker bomb collection. I am really pleased with how these physical clay pieces turned out aesthetically – being as high quality as I could have made them at this stage of my ability whilst also linking strongly to my initial idea of exploring the patterns within nature and oceanic organisms. The concept for the 3D stickers I feel really pushes my project and concept for the campaign part of my brief – to new heights and links my work directly to the issues I have been exploring throughout my research. To me- object & environment as a context is just that – the placement of artwork within environment, using atmosphere and interaction as a way of getting people involved with creativity and exposing the audience to deeper meanings and messages within work. I feel I have achieved this within my collection and enjoyed being able to use my photography skills to promote my collection of work and environmental campaign.

From the get go I knew I wanted to achieve a lot with this module and my concept for a full environmental conservation “campaign” provided me with enough scope to do just that. I feel I have challenged myself successfully throughout and found it beneficial to refer back to my own project proposal, revisit this and edit this appropriately to help focus my findings and approaches as well as reaffirm my aims. As with all other modules, I take it upon myself to attempt new creative techniques where possible and this was the case throughout 505, gaining a lot from the structure of the brief and making the most of the time available.

This said, I have found time management extremely difficult throughout the whole year including the course of the brief, due to my struggles with personal issues. I have big ideas for all creative work I do and have the true passion and aspiration to be ambitious and push myself creatively any chance I can get. However, I have learnt that I need to be more realistic as a practitioner and a lot more reflective of my true abilities of the moment, not to get lost in something which is going to be too difficult and stressful to achieve in the time allocated. The advice of the tutors whilst on the course is so valuable therefore I need to be more willing to accept the help and understand why toning down my ideas on this course will help me to still achieve all I want to whilst on BA (Hons) Illustration – without damaging myself in the process and affecting other modules in an almost domino effect.
-In further reflection, what really helped me narrow down my research and approach for this brief has been the on-hand help from tutors and my peers, reigning in my ambitious ideas for creative work and helping me to focus on what is important – often strengthening my development and leading to a concise and substantial body of work I am really proud of.

If I was to attempt this project again, I would like to revisit my final artwork and produce a full range of physical pieces and products as well as a wider range of finalised large scale proposals. It has been extremely difficult to find high quality digital mock-ups for billboard pieces and murals/public art spaces and I worry that this has let let my collection of final resolutions down. To combat this, I would like to go BIG and produce an actual billboard piece, printed and applied within a real world context, as well as create an actual mural on a sourced wall space. Proposing these ideas in this project has been fun, however continues to feel unfinished to me as a proposal is not a physical finished piece of work.

Continuing on into Level 6, this module has provided me with the one thing I have been searching for whilst being on the course. I have found that artwork with a purpose, meaning and impact on society is what really inspires me, in others work as well as my own and I would like to make this my main aim / focus within my practice. As an area of application and context to work within, Object & Environment will enable me to think about the setting in which my work will be received – using this as a platform to enhance the message within my work and I hope to explore this context in a lot more depth throughout final year.

OUIL505: Project Report

"Coralise": Final A2 Presentation Boards

"Coralise" Campaign: Final Resolutions



As well as the physical 3D clay models created for my "Coralise" conservation product range, I wanted to create some mock ups using my illustrative artwork pieces, in particular my airbrush work.

Thinking about the kind of products in which my artwork can be applied - i thought it would be appropriate to create products suitable for a museum / conservation exhibit "shop" / collection, as well as creating artwork fitting for the context I have outlined in my initial and revisited proposal.

To round off my concept for my "Coralise" campaign, I was able to extend my resolutions to cover an in depth body of creative distribution outcomes and online presence, strengthening my overall concept for this project - all ready for application within industry - housed within my chosen context of "Object & Environment". 

Overall I feel my outcomes portray a considered, in depth knowledge of the research I undertook for this module, showing a viable, achievable and varied approach to my conservation campaign aimed at spreading awareness of key environmental issues focused around the destruction of our oceans coral reefs and the passion I have for the future health of our planet.

Coralise: Large Scale Artwork Collection & Proposals

Exhibit / Museum / Mural Based artwork: "Coralise"

For these pieces I wanted to promote the illustrative side of the campaign - creating large scale pieces centred around patterns within nature - specifically coral - as if coral is taking back the wall it is featured on. These pieces made up of my airbrush artwork pieces, could work in a variety of environments across many application. Here I have shown how the large scale piece could work as a large mural in an indoor setting - either as a museum wall piece adorning the walls - or how this could appear within a larger exhibition dedicated to the proposed "coralise" campaign cause. 

Airbrush artwork - digital edits:



Artwork in context - mockup:



Billboard artwork collection: "Diving With Skeletons"
Concept: Dead coral and destruction of major habitats within our oceans means loss of oceanic life, food, vital minerals within the water itself as well as popular dive spots losing their main draw and beauty. These popular dive spots and tourist attractions will essentially be a very different experience to that of diving amongst healthy "living: coral - thus the statement - "diving with skeletons". Hopefully these billboards have the desired impact, making a statement that will inspire change or at least interest passers by to check out the website / social media links for further information. Using my 3D clay pieces, I was able to create the white and stark nature of the aesthetic here linking directly the "coral bleaching" world wide issue in our oceans and the "destruction" aspect of my research.

Billboard artwork:









Artwork in context - mockup:

Sunday, 8 May 2016

Promotional Packaging / Creative Marketing: Tags & Labels for "Coralise"

To round off my project and finalise my 3D campaign products nicely - I really wanted to package them appropriately for distribution. At this stage I feel as though I have not given myself enough time to create a full packaging range (physical box packaging in particular), however I wanted to give a logo and some creative tags a shot - so that my products appear ready for sale. I will attempt to "propose" the full packaging range by way of digital mock ups - ready for submission.

Having a go at a logo:

I began by looking back over my physical clay products and photographs I have taken. I wanted one of these products to be the main focus of the logo - primarily showcasing the patterns within the coral organisms I have been studying. I feel that one of my most successful clay 3D products is below and quickly found that a photograph I had taken of this final products - was the easiest to digitally edit and manipulate ready for us within my logo development:

Initial 3D product photograph,  edited ready for logo attempt / development:


Type experiments - "Type writer" effect for
crafted feel of promotional material




Logo play and experimentation:


  

Final collection of logos:

    

Tag logos ready for print:




Once I had come up with a logo, I was able to move on to the rest of the label designs that I planned on including alongside or attached to my final products - as if ready for sale.

Tag text and information for audience / customer: - I wanted this to remain simple, informative and true to the "mission" at the very core of this campaign proposal

 

I wanted the reverse side of the tag to be visual - ideally showcasing pieces of work from my product range within the "Coralise" campaign. With this in mind I was able to create full templates of the tags (both front side and backside) which lined up perfectly - ready for double sided printing:
Tag packaging images for
reverse side - layout for print
Tag packaging text layout for print




























I was now able to print out my labels and logo "spots" on high quality stock ready for assembly and attaching to my final 3D clay "Coralise" products -to complete my "object & environment" range / application / distribution proposal.

Physical sale / promo "tag" packaging - mock-up process:

Draft versions 
The aim of creating this first attempts at tags what to see what kind of aesthetic I was going for. I want the overall feel of these promo tags to be crafted - natural - echoing the ethos of my "Coralise" campaign and range of products they are promoting.





Everything printed and sliced up ready to go
Logo "tags" cuts and assembled to the hessian material backing



I was able to add rivets to both the logo tags and information tags (above)- so as to strengthen the link hole when strung and used for attachment to my 3D Coralise product range. I felt this was important as from previous experience of making fiddly accessories for products, small wholes through 2D paper medium tend to tear easily. This could really let my whole product range down - as these tags are the main part of the physical marketing of the range and Coralise campaign. If lost or ripped off - the audience / consumer would be unable to know what the pieces are about or how to find out further information about the cause. I also feel these rivets add a more professional feel to the tags whilst still remaining "crafted" as intended.


Final tags attached to my range of final products:






Further packaging and distribution ideas:

Box packaging to house 3D "Coralise" collection pieces (with my own coral artwork as the design)



Eco "coral patterned" bags (my own pattern design) to house products within - at point of sale (either within museum/exhibit/gallery shop - or to be sold along side products as part of campaign online shop and other distribution sites)


"Patterns in Nature" Bag
- White
"Patterns in Nature" Bag
- Black























Overall I am really pleased with how my collection is coming together. The products and my promotional range are looking more and more professional as I go along and I am beginning to see how my initial "Coralise" campaign idea could actually be a viable creative application for my illustration work - as well as being a helpful and impactive charity/oceanic conservation aimed effort.

Object & Environment: Photoshoot

After photographing my 3D "Coralise" sticker bombs out on location - it was time to take some high - quality images of my other products for use within my proposals & mock-ups, as well as for use as the marketing/advertising/distribution material for my products and "Coralise" campaign.

I have quite a lot of previous experience in photography, both using digital and analogue "film" based techniques and really enjoy the process - both studio based and on location as well as the "post-production" effects that can be achieved today using photo - editing software such as Adobe Photoshop Lightroom / Elements / CC, Corel PaintShop Pro, etc.

Keeping what I have previously learnt in mind as well as using my personal Nikon DSLR - I was able to set up a make-shift photography "studio" / "set" in my own home studio, complete with infinity back drop and multiple light sources in order to take some high quality images of my products for this module. At this stage I wasn't sure what I wanted to achieve with the images, wether or not these photographs of the products would be enough - or wether I could use the 3D textures I have managed to achieve in my clay models - on further mock ups etc. It is because of this that I wanted to make sure I took a variety of shots from different angles, at different ranges and with different light - sources etc to have a nice selection to play with digitally later.






"Coralise" Product Range - Studio Photographs:





Thoughts 
I am pretty happy with the shots of my products that I have been able to take so far, however I have struggled to get the lighting right due to the various watts of bulbs in my light-sources. To get even clearer shots for use in my campaign promo material and mock-sups - I plan on doing another photoshoot of my 3D clay range in a lighter area if I have the time. Otherwise I am happy to use these shots for further post-prod editing - in the hope that I can make them as clean cut as possible.

The patterns I have managed to create within the clay are clear enough within the images and provide a stark contrast to the white "skeleton" like aesthetic of the 3D coral study pieces that will hopefully strengthen the message I am trying to convey. Hopefully coupled with the campaign text / facts and material that  plan on adding to these images - they will form a good basis for marketing / advertising and promotional material for "Coralise" (by way of billboards, posters, business cards, bus shelter adverts etc etc).

"Coralise": Promotional Packaging / Marketing

As a part of my "Coralise" campaign, I have begun to think about the packaging and marketing for the 3D products as part of my collection.

I am not sure at this stage wether I will have enough time to generate full boxed packaging therefore I plan to start with tags and labels first which will be included / attached to the campaign products on sale, with the hope of moving onto larger packaging later on if possible.


What information want to tags/info-cards to include:

  • Title page / side "Coralise"
  • Up to date coral fact - for impact and educational purposes aimed at the consumer who has bought it
  • A cropped image of the product collection
  • Cropped image of healthy coral - in vast contrast to the skeletal coral 3D product collection on sale or as part of the full campaign body of work
  • An ethos / manifesto / "about us" page
  • Contact details, website, up-coming events and social network information
  • How to donate

Examples of informative tags / information cards included with a product range:







Up to date coral facts / sources I wish to include within my tags as a little extra piece of information for my audience who buy the products (as either a part of a wider exhibit / campaign or museum / gallery shop pieces etc):

Sources
- http://wwf.panda.org/about_our_earth/blue_planet/coasts/coral_reefs/coral_facts/
- http://www.conserve-energy-future.com/top-25-coral-reef-facts.php
- http://oceanservice.noaa.gov/oceans/corals/#threats
- http://www.globalcoralbleaching.org/
http://www.greenpeace.org/australia/en/what-we-do/climate/reef-at-risk/?gclid=CKGcueyl8MwCFRUW0wodgQsJZg
- http://www.dw.com/en/why-we-should-be-mourning-the-death-of-the-great-barrier-reef/a-19229280
Positive / Unbiased Facts:

  • Properly managed coral reefs can yield an average of 15 tonnes of fish and other seafood per square kilometre each year 
  • Any reef that is called a “barrier” reef gets its name because its presence protects the shallow waters along the shore from the open sea. That protection promotes the survival of many types of sea plant and animal life.
  • The hard shell you see when coral is removed from water is the hard shell of an animal called a polyp. It is the cluster of polyps growing together that gives reefs their shape.
  • Reefs that are noticeable in size, like the Great Barrier Reef in Australia, are between 5 and 10,000 years old.
  • Reefs are where many fish and sea creatures choose to spawn. The protected environment of the reef means their eggs will be safe from predators.
  • Coral reefs can also be started on the shells of sunken boats. In fact, to help preserve different sea biomes, the navy will sink old ships to allow a coral reef to grow.
  • Wherever coral reefs grow, the sea bed is more stable. Reefs help seagrass and other sea plants survive in the area. The more plants are growing on the sea bed, the less impact storms and surges will have on seabed too.
  • Coral reefs also help to improve the surrounding water quality. They act as a kind of filter that traps things floating in the water, which makes for cleaner water all around.
  • There are more types of fish living in a two acre area of coral reef than there are kinds of birds in all of North America.
  • The coral reef isn’t just something pretty to look it; it plays an important role in the survival of our planet. It directly supports a marine ecosystem, but it also provides important benefits for mankind.
  • Occupying less than one quarter of 1% of the marine environment, coral reefs are home to more than 25% of all known marine fish species
  • More than 450 million people live within 60 kilometres of coral reefs, with the majority directly or indirectly deriving food and income from them 
  • A reef dampens the effect of a storm coming in from the open sea, diminishing the force of the waves

Negative Facts:

  • Reefs are very important to the fishing industry because they are the natural habitat of the bait fish which is used to fish for tuna and other large species.
  • More than 80% of the world's shallow reefs are severely over-fished 
  • 58% of the world's coral reefs are potentially threatened by human activity
  • Coral reefs are found in 109 countries; significant reef degradation has occurred in 93
  • We have already lost 27% of the world's coral reefs. If present rates of destruction are allowed to continue, 60% of the world's coral reefs will be destroyed over the next 30 years 
  • Indonesia and the Philippines hold 77% of Southeast Asia's coral reefs and nearly 80% of threatened reefs
  • An estimated 20 percent of the world's coral reefs are damaged beyond recovery and about half of the remaining coral reefs are under risk of collapse.
  • 22 species of coral are now listed as threatened under the Endangered Species Act.
  • In 1998, a huge underwater heatwave killed 16% of the corals on reefs around the world. Triggered by the El Niño of that year, it was declared the first major global coral bleaching event. The second global bleaching event that struck was triggered by the El Niño of 2010. The US National Oceanic & Atmospheric Administration (NOAA) announced the third global bleaching event in October 2015 and it has already become the longest event recorded, impacting some reefs in consecutive years.
  • Coral Reefs represent less than 0.1 percent of the world’s ocean floor however they help support approximately 25 percent of all marine species. As a result, the livelihoods of 500 million people and income worth over $30 billion are at stake.
  • 50% of all coral has died in the last 30 years
  • 93 percent of the Great Barrier Reef has been affected by a global bleaching event
  • Corals live based on symbiosis with algae that grows within their tissue - but as oceans warm, corals expel this algae, which causes coral "bleaching."
  • Oceans absorb more than 90 percent of the earth's temperature increase, making corals a key indicator of climate change.
  • Without reefs, you get erosion of shorelines and villages falling into the ocean

http://oceanservice.noaa.gov/oceans/corals/#threats




As well as the facts being included in my campaign promotional material / product informative "tags" I could include a "how to" section explaining (similar to this above piece) of how people can further get involved with protecting our oceans reefs.

Saturday, 7 May 2016

K-EV

K-EV - Unbelievable String Art
https://www.sociedelic.com/ke-v-produces-an-unbelievable-string-art/

The use of string to create 3D fluorescent UV structures.


Great and interesting use of pattern, space and structure. The added element of light is something I have been interested in incorporating into my own work - and this shows the true diversity of creative application and concept.





http://issuu.com/essca/docs/string?e=22496257/35788141

Research: Environmental Campaigns & Products

When thinking about my resolution for this brief and OUIL505 module, it is hard not to think about physical products (not just mock ups) that I could make and link to my chosen context "object & environment". 

Ideally I would like my artwork to feature as part of a larger body of work for a full environmental/conservation campaign proposal entitled "Coralise". The artwork I produce (both 2D & 3D) could appear as pieces within an exhibition or as larger pieces / murals on the wall space within a public space / museum for example - in fitting with the exhibits on show etc. 

The 3D products themselves could be spreading further awareness of the issues outlined in the campaign (addressed previously through my research throughout this module - coral bleaching - blast fishing / mining etc), by appearing in museum/exhibition shops for the audience to buy, as well as online shops and rally's centred around the campaign. All with the main aim of educating, getting people talking and spreading awareness of these issues through creative means. Artwork which is appealing aesthetically - but also has function within the environment it is placed either as artwork or products publicising the campaign. Profit from the sales would primarily be given to the cause and conservation efforts as well as being fed back into the campaign - keeping its efforts going.

With this in mind I started to research into similar design/creative"products" ranges - which have the same "important" job to do and the campaigns in which a creative product range & artwork could be applied...


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WWF - "Anti-Product" Range
https://www.marketingmag.com.au/news-c/wwf-australia-just-campaign/


Conservation body WWF Australia has launched an initiative to educate consumers on how to replace mass-produced, packaged household products with natural alternatives.
Dermot O’Gorman, CEO of WWF Australia, says the initiative has been created to show there are simple and natural alternatives to many of the highly packaged goods people buy and use every day. “Through the ‘Just’ campaign, we hope to highlight how a few small changes, done by many, can help reduce our ecological footprint. It’s a way for people to think about where their products come from, how they are made and the impact they have on the planet. We want to encourage people to change the way they think and consider the environmental impact of their everyday choices.”


Interactive outdoor signage with dispensers’ will roam Sydney

Distribution of products & campaign concept: Humorous Videos / Online Presence







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Marine Conservation Institute - Chantecaille
Coral Conservation Campaign
  • https://marine-conservation.org/what-we-do/program-areas/coral-conservation/corals/
  • https://www.chantecaille.com/
Marine Conservation Institute, in partnership with Chantecaille, is working to safeguard deep sea and tropical coral reefs by establishing marine protected areas (MPAs) in oceans around the world.

We can’t do it alone.  Please help Marine Conservation Institute protect at-risk coral reefs for us and future generations.
CAMPAIGN STRATEGY:
  1. Advocate for establishing marine protected areas to safeguard coral ecosystems around the world.
  2. Boycott seafood caught in ways that harm coral ecosystems, particularly bottom trawl fisheries.  Support and encourage alternative sustainable seafood options.
  3. Reduce the global trade in coral reef products including coral jewelry, corals, starfish, shells and other curios from coral reefs, and fish taken from reefs for the aquarium trade.

WHAT YOU CAN DO:

Although coral reefs face tough challenges, we can act to save them before it’s too late. 
  1. Tell your elected officials and other influential people to support creation of new marine protected areas to protect coral reefs.
  2. Make sure the seafood you eat is sustainably caught. Never buy coral reef fishes or deep sea fishes such as orange roughy that are caught with bottom trawls, the world’s most destructive fishing method.  Bottom trawls are devastating to deep corals that would otherwise live for hundreds, even thousands of years.
  3. Never buy products from coral reefs including coral jewelry, coral heads seafans, seastars, or coral reef fishes. Instead, buy jewelry made from sustainable materials that look and feel like coral.  Before buying a marine fish at the pet store, ask if it is wild caught or captive-bred.  Buy only those sold by responsible breeders.
  4. Give or get Chantecaille's Coral Reef Palette. Sales raise awareness for greater coral conservation, while generating funds for Marine Conservation Institute!

Chantecaille - "Coral Reef" Product Range:

CHANTECAILLE is the preeminent luxury brand for serious skincare and beautifying cosmetics known for its uniquely high concentration of natural botanicals.
CHANTECAILLE has always sought to raise awareness for important environmental concerns. It's an integral part of the brand and a way to give back to the bountiful nature that serves as its muse.


******** Campaigns *********
&
Creative Advertising
FORD - FISH AND MONKEY 
J. WALTER THOMPSON BRAZIL
The Ford Environmental Conservation Award is a joint initiative between Ford Motor Company Brasil and Conservação Internacional (CI-Brasil), aiming at encouraging and recognising projects on the protection of nature and biodiversity. The campaign encouraged consumers to enroll their ideas in the competition, having in mind that those who help nature, help themselves. Therefore, it uses awareness and engagement as a starting point for environmental conservation.
Campaign copy: Those who help nature end up helping themselves. Sign up for the 15th Ford Environmental Conservation Award. From July 1st to October 1st. Submit your project or initiative to promote sustainable development and the conservation of biodiversity, and give your contribution to a better environment. More information at www.ford.com.br

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Cleaver & Creative Advertising With a Purpose
http://blazepress.com/2014/09/34-clever-advertisements-will-make-think/




Inspiring use of Creativity 
Direct Impact - Clear Message
http://www.boredpanda.com/powerful-social-advertisements/








Anti-Litter Campaign
http://www.boredpanda.com/anti-littering-ad-campaign-toronto-livegreen/

A series of clever advertisements have been popping up around Toronto urging visitors and residents to keep from littering by reminding them that “littering says a lot about you.” The ads, by the City of Toronto’s Live Green Organization, arrange pieces of trash found on the ground so that their labels spell out pejorative terms for people who litter.
This campaign is an excellent example of advertisement for a social cause, which we love. To see more, check out our extensive post on social issue advertisements.


Thoughts 

In doing this research it is clear that I really need to keep in mind the context in which i want my products and final "object & environment" resolutions to be in. I need my artwork to stay true to what I am aiming to achieve and "say" whilst also being: 


  • Direct & appropriate to setting, application & audience 
  • Clear in its message 
  • Eye catching 
  • Informative 
  • Have clear links to the larger campaign
  • Cleaver
  • Creative / artistic
  • Factually Accurate
  • Make people question their actions and preconceptions
  • Diverse in its application (online, physical, print, 3D etc, sociality integrated)